Heritage things on white: an archive box with a brass label, a magnifying loupe, cotton conservation gloves, a leather-bound ledger and an old brass key
Use case

Marketing automation for heritage organisations

Your collection has a thousand stories and your team has time to tell about three of them. Maggie, your AI CMO, turns objects, open days and conservation work into posts for your website, Google Business and social channels, and a person on your team approves every one.

Free to start · No credit card · 30 free posts

Used by 600+ users and trusted by teams at

  • aeglesriphal.com
  • moonlakespa.com
  • shop.theteagroup.com
  • clo100.com
  • logtrics.io
  • mymorez.com
  • nextidal.com
  • otisapp.com
  • storaitelling.com
  • theheatpumps.co.uk
  • web-translations.com
  • exposeai.tech
  • orielipo.com
  • whitelabelcrowd.fund
  • elliptic.co
  • med.moonlakespa.com
  • netdex.co.il
  • orawellness.uk
  • reenest.com
  • syngage.ai
  • thepenthouseliving.com
  • zengolf.studio
  • imaintain.uk
  • rebuildingsociety.com
  • aurasocial.world
  • goaimex.com
  • moneyparents.com
  • newgenrenewables.uk
  • osmosisai.co
  • saunders.ac
  • teeza.app
  • thursdayclub.com
Sound familiar?

Why heritage organisations find it hard to keep their marketing going

Small teams look after old buildings, fragile collections, volunteers and funders all at once. Telling people about it comes last.

Stories stay in the stores

A letter found in a donated box, a beam dated during a roof repair, a portrait back from the conservator. Your team knows these stories, but they rarely make it onto the website.

Events are announced too late

Late openings, half-term trails, talks and open days are planned months ahead, then promoted a week before, when families have already made their plans.

“Things to do near me” finds someone else

Visitors decide on the day, often from Google. A Google Business profile with no recent posts makes a historic house or local museum look closed, even when the doors are open.

Funders want to see you're active

Grant reports, sponsors and members all ask what you've been doing. A website news page last updated a year ago undersells the work your volunteers put in every week.

A museum office desk: a phone showing post cards waiting for approval beside an open archive box of old letters, cotton gloves, a pencil and catalogue cards
Your week with Maggie

The summer trail starts in a month, and the posts are already queued.

It's Monday at a small museum in a market town. The summer family trail opens in four weeks, a volunteer has just finished cataloguing a box of wartime letters, and the website's news page still leads with last year's Christmas fair.

You paste the museum's website into cmo.so. Maggie reads it and writes your brand profile: the building's history, the collections you're known for, the families, schools, walkers and local historians who visit, the volunteers who keep it running, and the friendly, curious way you write labels. You correct one thing: the café now closes at four.

By Tuesday the drafts are waiting, each with a picture in the museum's look: a blog post on what the wartime letters tell us about the town, a Google Business event for the family trail with a button to your opening times, a Facebook post asking for volunteers for the summer, and a LinkedIn post for local businesses thinking about sponsoring an exhibition. Your collections officer checks a date in the blog, and you approve the rest from your phone.

The posts go out at the times you set for each channel, spread across the month before the trail opens, and each comes back with its link. Search Console in cmo.so shows which collection stories people find, and AI visibility shows how Google's AI answers describe the museum when someone asks what to do in town.

What you get with Maggie

A marketing assistant who loves your collection as much as you do

Each of those problems has an answer, and your team still decides what goes out in your organisation's name.

Collection stories on your blog

Posts about objects, people and places from your collection, conservation work and the history of your site, written for Google and for AI answers. Published to your WordPress, Wix, Webflow or Shopify site, or any site through the cmo.so API.

Blog on autopilot

Events promoted in good time

Open days, talks, school holiday trails, late openings and seasonal events are planned and queued weeks ahead, so families see them before they make plans.

Event schedule

Found by visitors deciding today

Regular Google Business posts keep your site visible in local search, with events, offers such as a family ticket, and buttons that take people to your opening times or booking page.

Google Business

Your voice, not a tourist board's

Enter your website and Maggie builds your brand profile: your history, collections, visitors, what sets you apart from other attractions nearby, and your tone. Every post and picture starts from it.

Brand profile

One story, every audience

One idea becomes a post for each channel: Facebook and Instagram for visitors and volunteers (in beta), LinkedIn for funders, sponsors, venue hire and partner organisations.

Every channel

Approved by your team

By default nothing goes out until someone approves it. Add your curator, learning officer or a trusted volunteer in Me → Team, so the right person checks facts and dates.

Approvals
Inside the app

Your marketing team, in your pocket

Real screens from the cmo.so app on iPhone.

The cmo.so app home screen: monthly posts, website health scores and an AI visibility chartAsk Maggie: a chat where Maggie reviews 30 days of SEO and AI visibilityConnect your social accounts: LinkedIn, Google Business, Facebook, Instagram, YouTube and TikTokMaggie prepared your plan: look, voice, writing style and posting frequencyWrite a post once for LinkedIn, Google Business, Facebook and Instagram
How it works

From your website to a season of posts in four steps

  1. Enter your website

    Maggie reads it and drafts your organisation's brand profile in minutes.

  2. Check your profile

    Correct opening times and facts, add the collections and events you want to promote and choose your channels.

  3. Review the drafts

    Your first week of posts arrives with pictures. Approve, edit or skip each one.

  4. Let them go out

    Approved posts go out at each channel's times and every one comes back with its link.

Your other options

Why not just…

The usual ways heritage organisations try to keep posting, and where each one runs out.

…ask a volunteer to run social media?

Volunteers bring real enthusiasm, but they come and go, and posting stops when they do. Maggie keeps a steady schedule, and volunteers can still approve and add their own touch.

…rely on the local tourist board and listings sites?

They help, but you're one entry among many and you can't tell your own stories there. Posts on your website and Google Business profile bring visitors straight to you.

…hire a marketing officer?

A full-time marketing hire in the UK costs around £3,000 a month before tools, which is out of reach for many small trusts and museums. Maggie writes and publishes every week from £15 a month.

…write it with ChatGPT?

You still brief it, check it, find a picture and post it yourself, and it doesn't know your collection or your opening times. Maggie remembers your organisation and puts posts out on schedule.

Pricing

Cut the £5,900/mo marketing bill to £15/mo

Everything a marketing team does, done by Maggie.

What needs doingWithout cmo.soWith cmo.so
Full-time marketing hire£3,000/moIncluded
SEO and AI search (GEO) agency£1,000/moIncluded
Content writer, AI-assisted£500/moIncluded
Social media manager, freelance£800/moIncluded
Designed pictures for every post£300/moIncluded
SEO and GEO softwareRank tracking, site audits, AI visibility£250/moIncluded
AI writing and image tools£50/moIncluded
Working hoursOffice hours24/7
Total per month£5,900+From £15/mo

Typical UK costs for a small business in 2026, with AI already cutting freelance rates. Estimates only; your own quotes will vary.

Founding member pricingLock in these prices for good.For the first 500 members, until 1 January 2027.
72days left
FreeTry it out
£0forever
No card needed
  • 5 social posts, 30 once verified
  • 15 Maggie messages a day
  • Upgrade any time
Start free
AirGetting started
£15/mo
Lowest paid plan
  • 2 posts a day
  • 60 Maggie messages a day
  • All channels
Choose Air
MaxSeveral channels
£45/mo
£75Save 40%
  • 24 posts a day
  • 300 Maggie messages a day
  • All channels
Choose Max
UltraBusy teams
£65/mo
£115Save 43%
  • 48 posts a day
  • 600 Maggie messages a day
  • All channels
Choose Ultra
EliteAgencies, many brands
£105/mo
£195Save 46%
  • 96 posts a day
  • 1,000 Maggie messages a day
  • All channels
Choose Elite

Per website, billed monthly. Blog and social posts share one allowance; your best plan sets how much you can talk to Maggie across all your websites.

Questions heritage organisations ask

Marketing automation for heritage organisations: your questions

Still unsure?

What is marketing automation for heritage organisations?

It's software that does the repeating work of marketing a museum, historic house, archive or heritage trust: planning topics, writing blog and social posts about your collection and events, making pictures and publishing them on schedule.

With cmo.so, Maggie does all of it from your website, and nothing goes out until a person on your team approves it.

How do heritage organisations get more visitors online?

Heritage organisations get more visitors online by being easy to find when people plan a day out: an active Google Business profile, events promoted weeks ahead and stories on their own website that people search for and share.

Maggie writes those posts every week, queues them ahead of school holidays and open days, and Search Console in cmo.so shows which ones bring people to your site.

How much does marketing automation cost for a heritage organisation?

There's a free plan with no card needed. Paid plans are per website and billed monthly: Air at £15 a month covers two posts a day, which suits most small museums and trusts, and Pro at £45 a month suits a larger site posting on several channels.

Founding members get lower prices for good on every plan until 1 January 2027. You can cancel any time.

Which channels should heritage organisations start with?

Most start with Google Business, because that's where people looking for things to do nearby decide, plus their own blog for collection stories and event pages.

Facebook and Instagram are in beta and suit families, local visitors and volunteers, and LinkedIn reaches funders, sponsors, venue hire clients and partner organisations. Each channel has its own posting times and queue.

Is it safe to let AI write about our history?

It is safe when someone who knows the collection checks each post, and cmo.so keeps approvals on by default. You can correct a date, a name or an attribution before anything is published.

Maggie works from your website and the brand profile you check, and learns from your edits, so posts get closer to your house style each time. Social channels connect through each platform's official sign-in, so cmo.so never sees your passwords.

What kind of posts does cmo.so write for a museum or historic house?

Expect collection stories, object of the month posts, behind-the-scenes conservation work, event announcements, school and group visit information, volunteer calls and seasonal posts such as half-term trails or winter openings.

You can tell her which collections, anniversaries and campaigns to focus on, and she plans topics around them.

Can it help us recruit volunteers?

It can help people see what volunteering with you is like. Maggie writes posts about volunteer roles, what volunteers do in a typical week and how to get involved, for your website, Facebook and LinkedIn.

She doesn't manage applications or rotas, so people still contact you through your website, email or phone.

Can cmo.so help us show funders and sponsors what we do?

It can keep a steady, public record of your work. Regular posts about projects, conservation, learning sessions and community events give funders and sponsors something current to read when they look you up.

LinkedIn posts in your organisation's voice can also thank sponsors and partners and reach local businesses that might support you.

Does it work for archives and conservation studios, not just visitor attractions?

It works for any heritage organisation with a website. For an archive, Maggie can write about collections, research enquiries and digitisation projects; for a conservation studio, about the work itself and the care behind it.

The channels you choose can lean towards LinkedIn and your blog, where researchers, owners and institutions look for specialists.

Can it promote venue hire and weddings at our site?

It can write about your spaces for weddings, filming, meetings and private events, for your blog, Google Business and LinkedIn, with buttons that take people to your enquiry page.

She doesn't take bookings or connect to a booking system, so enquiries still come to you through your usual route.

Which websites does it work with?

cmo.so publishes to WordPress (including WooCommerce), Shopify, Wix and Webflow, and to any other website through the cmo.so API.

Each post is reported back with its link once it is live.

We look after several sites. Can cmo.so handle them all?

Several websites can sit in one account, each with its own brand profile, channels, schedule and approvals.

If all your sites share one website, Maggie can write posts for each place's visitors from the same brand profile, and your team can approve them in Me → Team.

Ready when you are

Let your collection tell its stories every week

Enter your website. Your brand profile and first week of posts are ready in minutes, and nothing goes out until your team approves it.

  • Free plan, no card needed
  • You approve every post
  • Cancel any time

Start with your website

Free to start. No card needed.

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